Monday, 29 February 2016

Skins notes

Mise en scene

Camera

Sound

Editing
What? 
1.  Fragmented narrative 
2.  Screen time
3.  Fast pace 

Where? 
1.  Multiple scenes; interspersed, inside party, trampoline, outside, leaving house, Sid & Cassie.
2.  Sid & Cassie 
3.  Party

Why? 
1.  Chaotic, teen life, understand the teen mindset, create empathy for teens in modern world. 
2.  Serious issues being prioritised
3.  Fun loving side of teens


Friday, 26 February 2016

Film Productions

Film 4
Film4 is Channel 4 Television’s feature film division. Film4 develops and co-finances films and is known for working with the most distinctive and innovative talent in the UK, whether new or established.  Film4 has developed and co-financed many of the most successful UK films of recent years, Academy Award winners such as Steve McQueen’s 12 Years A Slave, Danny Boyle’s Slumdog Millionaire and Phyllida Lloyd’s The Iron Lady in addition to critically-acclaimed award winners such as Mike Leigh’s Mr. Turner, Chris Morris’s Four Lions, Martin McDonagh’s In Bruges, Shane Meadows’ This is England, Ben Wheatley’s Sightseers, Clio Barnard’s The Selfish Giant, Jonathan Glazer’s Under the Skin and David Mackenzie’s Starred Up.
Film4’s recent releases include; Sarah Gavron’s Suffragette, Justin Kurzel’s Macbeth, Yorgos Lanthimos’ The Lobster, Asif Kapadia’s box office record-breaking documentary Amy, Andrew Haigh’s 45 Years, Alex Garland’s Ex Machina, Peter Strickland’s The Duke Of Burgundy, Daniel Wolfe’s Catch Me Daddy and John Maclean’s Slow West.
Ex Machina
The Duke Of Burgundy


Amy





Forthcoming releases include: Todd Haynes’ Carol, Paolo Sorrentino’s Youth, Lenny Abrahamson’s Room, Susanna White’s Our Kind Of Traitor, Ben Wheatley’s High-Rise and Free Fire, Ang Lee’s Billy Lynn’s Long Half Time Walk, Benedict Andrews’ Una and Andrea Arnold’s American Honey.

High-Rise

Carol

















Summit

Summit is an American film production company and distribution, and it is a subsidiary of Lions Gate Entertainment company also.  Summit entertainment was originally founded in 1991 and was initially made to sale films in foreign countries.








Icon
Warp Films

Tuesday, 16 February 2016

Representation Of Gender

The notes below have been taking from the episode of 'Cutting It'.

Camera:

  • The man is above the women once she gets run over: she is powerless and women are dominated by the male sex.
  • Shot is high-angle on the women but an mid shot on the man: women are dominated and overruled by men.
  • The camera slowly tilts up on the man's face, parallel with sad music: he will receive bad news which will take time to get over and recover from.  Also foreshadows his wife's upcoming death.
  • Camera is mainly on the man's 'point of view', never see the women's 'point of view', therefore we are segregated from what she is feeling, but we know how the man feels and what he sees: suggest women are over spoken, there feelings are brushed aside, the man is the main focus and we begin to feel empathy for him although the dialogue hints he cheated on her.
Mise-en-scene:
  • The light is shining on the woman, but shadowing the man: light suggest the women is of an innocent nature, yet the man is guilty of something (in this case most likely unfaithfulness).
  • In the taxi, the woman is in control, she knows where they are going, he doesn't, she pays for the taxi: this suggests she is in control of the situation and she is subverting her gender stereotype by paying for the taxi and knowing where they are going.
  • Theme of marriage is repeated: suggest they are forcing the happiness into their relationship.
  • The flowers are the colour white next the women when she is dying: this colour is a representation of peace and innocence, suggesting she has this in her nature.
Sound:
  • The slow music: foreshadows the impending doom of her death.
  • Music is parallel to the scene: bad news
  • The man tells the woman to 'Shhh': patronising the woman, telling her to be quiet, he is weak and doesn't want to hear her feelings of him being guilty.
  • The song lyrics in the song when the man is fiddling with his ring sing 'You know you are free': this foreshadows her death again, suggesting he wants to be out of the relationship and that he is going to be free from her when she dies.
  • When she dies at the end of the scene, the whole sound is muted apart from the car crash Foley sound: this focuses on the crash, as this is the bad news he was going to get
Editing: (to be completed)

PEE sample (A grade)

The sample answer below is referring to the beginning scene of the first episode of Skins. (Representation of Age)

1.  P (point) : Within the mise en scène, the producers use costume to convey messages about their ideologies of the representation of age.

E (evidence) : We see the 'chav' costumes on the boys who arrive late, contrasted with the posher, richer costumes of the hots of the house party. These contrast further with the grungy dark costume of Sid, and again with Cassie's classical gold dresses and flowing hair. 

E (explain) : On first reading, the chav image seems to conform to stereotypes - the director is feeding the audience with a representation of age which we expect. It does not challenge us to think beyond this stereotype. However, the multiple representations also suggest the ideology that the stereotypes are wrong; there are many different 'types' of teenagers, whose differences should be celebrated ( but perhaps are not by society). 
(Cassie's costume set her aside (Lonely, issues))

2.  P (point): the use of the fragmented narrative in this clip helps to further the representation of teenagers. 

E (example): the narrative intersperses loud interior party scenes with quieter dialogue scenes outside on the trampoline. We also have a long establishing scene as the boys arrive at the party, a fast-paced fight scene, and the final action when the main teenage protagonists leave

E (Explanation): this fragmentation helpls to convey the chaos of teenage life. The multiple narratives show just how much teenagers have to cope with in a short space of time. As an institution with a predominantly teenage audience, E4 is acing as an advocate for teen issues, and trying to get the viewer to empathise with the sheer amount of pressure society places on teenagers. It is also a commercially viable devision, as the empathy secures it's fan base by supporting teens in fighting back against stereotypes. 






Representation of Age

Stereotypea widely held but fixed and oversimplified image or idea of a particular type of person or thing.
Countertype: subverting/challenging a stereotypical view. 

Stereotypes of the elderly:
Incapable of things
Slow
Grey hair
Glasses
Hearing aids/Deaf
ill
Care home
Grumpy
Wise
Traditional
Old fashioned
Smelly
Wrinkly
Forgetful
Weak
Small

TV dramas: Emmerdale, One foot in the grave

Stereotypes of children:
Vulnerable
Silly
Small
Immature
Clueless
Innocent
Playful
Naughty
Loud
Attention seeking

TV dramas:

Representation of teenagers:
Violent
Rude
Cocky/Arrogant
Drugs/Drinking
Rebelious
Antisocial
'Chav'

TV dramas: Skins, Hollyoaks, Misfits, The Inbertweeners

Representation of adults (20-50):
Boring
Mature
Receding hairline
Family focused
Work
Sensible
Bossy
Independent

TV dramas: The Bill, Dr. Martin, Eastenders 




Thursday, 4 February 2016

Essay question

In the opening of 'coming down the mountain ' there are many specific details that represent and display disability in such a patronising manner. This is evident in the camera work, editing, sound effects and mise-en-scène.
Ben is the boy who suffers from down syndrome and has an older brother called David. Ben wears clothing that is up to date and modern of which the majority of the students wear. Instead of wearing clothes which suit his disability, such as; elastic armed waists and non-button t-shirts, this shows his parents are desperately trying to fit Ben in with his fellow school mates. However, this creates a contrast with Ben himself, as he wears 'normal' clothing yet he is different to most other people in his school.  At the very start of the scene, the image shows Ben and David's room of which they share. There is an immaculate difference in this scene, where David's side of the room is dark, mainly black and white and reasonably tidy. Where, bens side of the room is of so many bright colours, it is messy and has a number of teddies on the bed. This shows that although the they are in the same room, they are worlds apart. This scene also reflects the maturity difference between them both, as bens room looks like a ton child's room and David's suits his age. 
Reflecting on the sound effects on this clip, the voiceover at the start of it is David speaking about Ben, telling the audience about Ben and his life with him. However, you never hear from Ben, this portrays that people with disabilities can't speak for themselves. Aswell as this Dave refers to Ben as 'they' when he is referring to 'kids like Ben'. This shows David is segregating disabled people from society, almost isolating them. The scene where Ben is on the bus, the background dialogue becomes muffled and butted with the camera only on his face.  This displays another sign of isolation suggesting disabled people are in a constant bubble. Also, the music is slow and sad which is parallel to this scene, this results in us sympathising for Ben as he is all alone on the bus. The dialogue of this clip is very patronising towards Ben, portraying that he only understands speech of an immature nature. This also suggests disabled people have a younger mental age than they actually are. Later on in the clip, David refers to Ben as a 'potato' which is similar to a 'vegetable' which is used to insult people who are incapable of doing many things, which is used to insult people who are incapable of doing many things.
The next specified aspect used for the representation of disability is the camera; the frame, angle, movement and shot. When we first see Ben and David there is an Aries shot of them both on the bed with the camera zooming down on them. The camera then made a pan movement around David's head which showed he was in deep thought about killing his brother. When the camera then goes on Ben it is an Ariel shot of Ben sleeping, displaying he is powerless as he is unconscious and not aware; this is a sign that reflects on people with disabilities, that they are dominated and powerless without knowing. Another sign of dominance is when Ben is standing behind David, clearly smaller than him and the camera is a high angled, over the shoulder shot, which almost disincludes Ben from the scene.  This suggests that not only is Ben segregated from society, but by his own family too. There is one powerful message in this clip where there is an impression of a target on bens face whilst David is pointing the gun at him. This is a high-angled, point of view shot where us, the audience, can see through David's eyes. At this point we empathise for David as we begin to see how hard it is to live with someone who has disabilities.  Due to the high angled shot on Ben this suggests he is lower in society than other people are. With the layer of the target on Ben, this also displays that disabled people are a target to society as victims of bullying. 
The editing of this clip is very clever in the way it represents disability. When Ben is on the bus, the pace of the scene slows down, suggesting his body functions far slower than people without disabilities. This enables the audience to understand and almost sympathise for Ben because of his slower understanding. The narrative order is interesting, we are introduced to David first, then Ben second. This portrays Ben as seconds best and not as important than David. Not only this but David has more screen time gnat Ben which again imitates the same reason, second best is what disabled people are seen as. The fact the narrative is a straight forwards chronological order suggests how simple the lifestyle of Ben and David's family is. The scene shows the routine of their daily life, it is very repetitive and contains an unending responsibility of looking after Ben. The speed of the transitions us very fast and chaotic and almost rushed. This reflects Ben's brain as he looks and is easily confused, therefore these adjectives represent disability as chaotic and difficult to adjust too. The fact that the young boy runs and talks to David about a petrol can, the speech is hard to understand. This is done on purpose so the audience feel the disorientation that some disabled people may feel. Therefore, this initially makes is sympathetic for Ben.